It must be noted for all "practical purposes" that this plaintiff's 5 (five) federal protected copyrights were "stolen in a devised criminal scheme by NBC Universal, et al., "extracting and unlawfully using" the plaintiff's in this case 5 (five) stolen federal protected copyrights" in the unlawful making of defendants NBC Universal, et al., movies entitled "Meet the Parents" , "Meet the Fockers" and "Wedding Crashers" .
Plaintiff's 5 federal protected copyrights entitled "The Tenant", "The Dysfunctionals" and "Wedding Crashers" were stolen with intent and premeditation by Hollywood's Organized Crime Syndicate "theft ring" used to deceptively "extract and use" all plaintiff's characters, scenes and settings in defendant's NBC Universal, et al., movies "Meet the Parents" , "Meet the Fockers" and "Wedding Crashers" to validate the theft the defendants NBC Universal, et al., claimed "fraudulent" copyrights and orginal creation.
The Library of Congress, unethical attorneys, a cardiologist, actors , studio production defendants and writer frauds operatives of the "theft ring" knew at all times prior to the shooting of these movies, that the defendants NBC Universal, et al., were in possession of this plaintiff's 5 (five) federal protected copyrights and through a premeditated criminal fraud scheme extracted all of the characters, scenes and settings from this plaintiff's 5 (five) federally protected copyrights used them in the making of defendants NBC Universal, et al, movies entitled "Meet the Parents", "Meet the Fockers" and "Wedding Crashers" that were stolen, used unlawfully and fraudulently copyrighted! This plaintiff's 5 (five) federally protected copyrights were stolen were entitled "The Tenant", "The Dysfucntionals" comical satires ridiculing dysfucntional families including and not limited to a treatment entitled "The Attorneys" that crashed Weddings and Funerals!
A 79 page comparison sheet in similarities of characters , scenes and setting were incorporated in plaintiff's opposition to summary judgment motion proving the characters, scenes and settings defendants NBC Universal, et al., used was stolen as the theft ring was linked to Hollywoods Organized Crime Syndicate incorporating all of plaintiff's stolen characters, stolen scenes and stolen settings from this plaintiff's federally protected copyrights that were "stolen" and used unlawfully.
The defendants NBC Universal, et al., just changed the titles and fraudulently claimed copyrights and original creation to subterfuge and mask the theft of plaintiff's stolen federal copyrights.
Employees at he Library of Congress theft ring operatives to wit : Richard D. Sharp and Tracy Williams actually perjured affidavits, destroyed 31 pages of copyrights and tampered with federal evidence to allow the court to bar discovery and proceed in the unlawful corrupted summary judgment.
The lawfirm Pryor, Cashman, Sherman and Flynn used a 1991 Pre-dated video with no written copyright "Ferber declaration" pre-date plaintiff's 5 (five) federally protected copyrights after receiving the 79 page comparisons, the defendants needed a pre-dated 1991 MTP manufactured fraudulent vidiocasette to bar discovery a crucial factor in this case that would have exposed the theft ring operatives and proved that NBC Universal et al., was in possession of this plaintiff's 5 (five) federally protected copyrights that were criminally infringed and used unlawfully.
The alleged pre-dated fraudulent 1991 MTP videocassette found in a black box at the Library of Congress with no written copyrights and no writings on the side or front of the box had to be forensically evaluated.
The manufactured fraudulent contracts by the studios as well as the theft ring operatives, unethical attorneys, tampered federal evidence , conflicts of interest in the courts and the perjured affidavits by employees from the Library of Congress - Richard D. Sharp and Tracie Coleman to alter and manufacture federal evidence as well as the writer frauds Gregg Glienna and Mary Ruth Clarke were all linked to Hollywoods Organized Crime Syndicate!
The 1991 MTP pre-dated videotape - with "no written copyrights" was a "Horror Movie" narrated by a gas station attendant in where everyone in the family was killed including the dog.
The sequel to that 1991 MTP (if it truly existed) was a trip to the circus another "Horror Movie" where everyone is most likely killed!
The contents of characters, scenes and settings of the alleged pre-dated video cassette with no written copyright had "no relevance" to "Meet the Parents", "Meet the Fockers" or "Wedding Crashers" just a title!
"Meet the Parents", "Meet the Fockers"and "Wedding Crashers" would of never existed without this plaintiff's copyrights that were "stolen by the defendants and used unlawfully" as all of the characters , scenes and setting were extracted from this plaintiff's 5 (five) federally protected copyrights. The defendants NBC Universal, et al., knew at all times they were in possession of this plaintiff's 5 (five) federally protected copyrights and still used all of this plaintiff's characters, scenes and settings in defendants screenplays entitled "Meet the Parents", "Meet the Fockers" and "Wedding Crashers". Defendants NBC Universal, et al ., unlawful copyrights would have never existed without the premeditated theft of this plaintiff's 5 (five) federally protected copyrights!
The sequel to the alleged pre-dated 1991 MTP videocassette, was irrelevant as a sequel, no written copyright (if the movie even existed) was a trip to the circus another "horror movie" in where everyone was killed.
This plaintiff's 5 (five) federally protected copyrights screenplays entitled "The Tenant" , "The Dysfunctionals" and "The Attorneys" comical satires ridiculing dysfunctional families "sequel" was to "meet another dysfunctional family", squarely fitting into "Meet the Parents and Meet the Fockers and Wedding Crashers".
Christian Science Magazine unequivocally stated that Meet the Parents , Meet the Fockers started a "trend in comedy" and the pinnacle of that trend was Wedding Crashers!
Jay Roach - Director of Meet the Parents and Meet the Fockers - on the back of the Meet the Fockers - dvd- had a commentary as Jay Roach stated unequivocally that when they were shooting Meet the Parents they already had the screenplay for Meet the Fockers.
It should also be understood that Owen Wilson an actor in Meet the Parents and Meet the Fockers was in possession of this plaintiff's 5(five) stolen federal copyrights claiming to have written "Wedding Crashers"!
During the lawsuit this Plaintiff wanted to depose Richard D. Sharp and Tracy Coleman and all of a sudden the pre-dated horror video-cassette that appeared in a black box with no written copyright or writting on the side or the front of the black box magically appeared at the Library of Congress- upon further investigation by this plaintiff after summary judgment seeking the original 1991 MTP videocassette that had to be forensically evaluated judgment was found to be a fraud.
Upon further investigation there was writing on the "un-marked black box" this plaintiff firmly believes the pre-dated fraud was used as a legal manuever to oppose this plaintiff's 79 page comparison, barring discovery as the defendants unlawfully moved for summary judgment.
Mr. Sharp was to be deposed and to evade deposition took a "sabattical leave of absence". Judge Lynch (Clinton appointed) all of a sudden stayed Magistrates Freeman's discovery and allowed the defendants NBC Universal, et al., to move for summary judgment.
The corruptiong and bias of the court in this case to bar discovery even though this plaintiff at the inception of his federal complaint stated his 5 (five) federally protected copyrights were stolen violated due process, this plaintiff's civil rights, the constitional right to a fair and impartial trial.
The 79 pages of similarities in characters , scenes and settings - incorporated in the plaintiff's opposition to summary judgment motion proved overwhelming that the defendants stole and were in possession of this plaintiff's 5 (five) federally protected copyrights in additioin "extracted" all of the characters, scenes and setting in the unlawful making of defendants NBC Universal, el al,. screenplays entitled " Meet the Parents", "Meet the Fockers" and "Wedding Crashers" that would of never existed without this plaintiff's federal protected copyrights!
The United States Court of Appeals for the Second Circuit sustained Judge Lynch's decision as the defendants attorneys at oral argument claimed this plaintiff couldn't prove access.
Discovery was a crucial factor in the case and without discovery a fender bender car accident plaintiff wouldn't be allowed to prove his case ! No depositions, no interrogatories, for forensic evaluation, no investigation into the theft ring , corrupted Library of Congress or corruption linking the courts to decisions that violated civil rights, due process and one's constitutional right to a fair and impartial trial.
All the judges in this case including Ginsburg in the United States Supreme Court were all Clinton appointed cared nothing about the law, stolen federal copyrights or the validity of plaintiff's copyright infringement case.
The defendants NBC Universal, et al., through the corruption , the unethical attorneys , theft ring , writer frauds and the corrupted Library of Congress and corrupted judges that barring discovery and sustaining corrupted decisions due to corrupted conflicts of political interest violated the very essence of law in America.
Chelsea Clinton and her husband at the time of the litigation received jobs at NBC Universal making 6-7 figures a year as "no show" employees.
Steven Speilberg a defendant in Chivalry Film Productions v. NBC Universal, et al ., was actually invited to Chelsea Clinton's wedding including Barbara Streistand an actress in Meet the Fockers!
Owen Wilson in possession of this plaintiff's 5 (five) federal protected copyrights was a writer in "Wedding Crashers"!
Judge Gerald Lynch was promoted to the United States Court of Appeals for the Second Circuit shortly after his decision.
DISCOVERY WAS A CRUCIAL FACTOR IN THE CASE AND WAS BARRED TO "PROTECT" THE STUDIO DEFENDANTS IN THE CASE: NBC UNIVERSAL ., UNIVERSAL PICTURES COMPANY INCORPORATED, UNIVERSAL STUDIOS. INC., UNIVERSAL STUDIOS LLC, UNIVERSAL CITY STUDIOS LLLP, UNIVERSAL CITY STUDIOS , INC., UNIVERSAL CITY STUDIOS PRODUCTIONS LLLP, DREAMWORKS, LLC., DREAMWORKS L.L.C D/B/A DREAMWORKS SKG, DREAMWORKS PRODUCTIONS LLC, DREAMWORKS, INC., TRIBECA PRODUCTIONS INC., A,U SAURES, MAMCU TENENBAUM, NANCY TENENBAUM FILMA, INC., TWENTIETH CENTURT FOX FILM CORPORATION , EVERYMAN PICTURES, JAY ROACH D/B/A EVERYMAN PICTURES,
Hollywoods Organized Crime Syndicate was in fact protected in billions of dollars in civil damages as well as criminal prosecution.
The DOJ, F.B.I., United States Attorney General's Office had a legal obligation to investigate the frauds, crimes, conflicts of interest and the corrupted decisions in these cases!
The conflicts of political connections and travesties of justice in these cases must be exposed in the interest of justice and national security!
The corruption in these cases was outrageous and perpetrated with intent and premeditation to protect and defend Hollywood's Organized Crime Syndicate and theft ring from damages, civil liabilities and criminally prosecution.
The magnitude of corruption in the federal court system is clearly demonstrated in these cases to prove how far our corrupted Clinton appointed federal court justices would stoop to protect NBC Universals., et al defendants in the Clintons billion dollar "Organized Crime Syndicate".
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